Canadian Voices: How Good Will It Feel - Allan Gilliland and Jemma Hicken

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In this week’s edition of Canadian Voices, Pro Coro sits down with Edmonton Composer Allan Gilliland and Singer/Songwriter Jemma Hicken to discuss How Good Will It Feel Gilliland’s setting of Hicken’s poem Like Honey premiering on Pro Coro TV.

Composer - Edmonton's Allan Gilliland

Composer - Edmonton's Allan Gilliland

Poet - Edmonton Singer/Songwriter Jemma Hicken

Poet - Edmonton Singer/Songwriter Jemma Hicken

What was your inspiration for the work?

How good will it feel when time gusts around us once again To listen to the wind
To turn our stiff selves inside out
And notice where we bend
— Excerpt from "Like Honey" by Jemma Hicken

Jemma Hicken: When lockdown first began, my partner and I moved from Edmonton back to the rural west coast to be with my family. I began my writing by thinking about the many things I've longed for during the pandemic, but the bulk of the poem came from the difference in noise levels between the city and the country. There are lots of references to sound - turning up my favourite song, listening to the wind, quiet rural beaches, how the quiet used to taste when I did find it in the city, etc...

 Allan Gilliland: When working on choral music, my inspiration comes almost entirely from the words. In the case of Jemma’s poem, I was inspired by how she captured the suspension of time we have all felt during the pandemic. I wanted the work to be gentle, melodic, almost hymn-like, as I feel strongly we need as much peace and beauty during these extremely trying times.

Did you approach this text differently because of the parameters of the work?

How good will it feel when I am right side up and outside in
When abstract hardens to concrete
And I still scrape my knees
— Excerpt from "Like Honey" by Jemma Hicken

AG: The short answer is no. I think my success as a composer is largely due to my ability to write successful works while conforming to a variety of parameters like; difficulty level, instrumentation, style, and length.

 

How have you been experiencing writing in isolation? How has COVID-19 impacted the experience of being a writer?

JH: I think the pandemic has been a catalyst of change in most people's creative habits, so I feel lucky to say that I have felt more productive (at least creatively) than ever! As I alluded to before, silence - or rather, the sounds of nature - are some of my major creative propellers. I've been able to hunker down on the gulf island I grew up on (two ferries away from Vancouver Island, so it is truly quiet! Minus the occasional chainsaw and the big windstorms :)) I identify as a songwriter before a poet, and I've been able to write a ton of songs since March.

Pro Coro Canada Quartet (from left) Annette Martens, Jane Berry, Anthony Wynne, Andrew Malcolm Michael Zaugg, Conductor

Pro Coro Canada Quartet (from left) Annette Martens, Jane Berry, Anthony Wynne, Andrew Malcolm
Michael Zaugg, Conductor

AG: It has been a challenge. I’ve realized that I’m the kind of composer that works to deadlines, and I’m not very motivated without them. I had so many commissions and performances canceled or postponed that I struggled in the first few months of lockdown to stay inspired. This commission was actually the project that brought me out of that malaise. It had such a tight deadline that I was kind of jolted back into creativity. I can’t thank Michael and the choir enough for taking the time to put this project together and to give me the incentive to write again.


How Good Will It Feel - Allan Gilliland

Like Honey
Text by Jemma Hicken

How good will it feel when time gusts around us once again To listen to the wind
To turn our stiff selves inside out
And notice where we bend

How good will it feel when I am right side up and outside in When abstract
Hardens to concrete
And I still scrape my knees

When the stillness feels like respite And the quiet tastes like honey

By then, we will have noticed the small things we love We will have picked up the smoothest pebbles From the quiet beach down the road

And stuffed them in our pockets.
We’ll find them later
On a lunch break
Or an airplane

When the stillness feels like respite And the quiet tastes like honey And time gusts around us once again.

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Canadian Voices - Edmonton

Watch the entire Canadian Voices Series on Pro Coro TV


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Coming Soon to ProCoroTV:
The Little Match Girl Passion
Sunday, December 13th 7PM MDT

Pro Coro's annual winter performance of David Lang's Pulitzer Prize-winning work "The Little Match Girl Passion"

The performance will start at 7:00 p.m.


Allan Gilliland

One of Canada’s busiest composers, Allan Gilliland was born in Darvel, Scotland in 1965 and immigrated to Canada in 1972. Based in Edmonton (Alberta), he has written music for solo instruments, orchestra, choir, brass quintet, wind ensemble, big band, film, television and theatre. His music has been performed and broadcast by ensembles around the world including the: Edmonton Symphony, Boston Pops, Vancouver Symphony, Detroit Symphony, St. Lawrence String Quartet, Canadian Brass, Winnipeg Symphony, Alberta Baroque Ensemble, Camerata Romeau (Cuba), National Youth Choir, National Wind Band, Scottish Chamber Orchestra, Zapp String Quartet (Holland), St. Petersburg State Capella Symphony Orchestra (Russia), Edinburgh String Quartet and the brass section of the New York Philharmonic. Many of these performances have been in the world’s major concert halls including; Symphony Hall's in Boston and Detroit, Tchaikovsky Hall in Russia, the Royal Concertgebouw in Amsterdam and twice at Carnegie Hall in 2012. Some of the soloists who have performed his music include James Campbell, Jens Lindemann, John Pattituci, Jim Walker, Dean McNeill, William Eddins, PJ Perry, Ronda Metzies, Wycliffe Gordon, Dave Young, Nora Bumanis and Julia Shaw, Mark Gould, Ingrid Jensen and Martin Riseley. His music has been recorded on over 30 CD's including three, CollaborationsO Music and Dreaming: The Prague Sessions, dedicated entirely to his music.

For five years (1999 ‐ 2004) Allan was Composer-in-Residence with the Edmonton Symphony Orchestra, writing 11 works for the ESO. He has written concerti for violin, trumpet, harp, cello, flute, oboe, accordion and clarinet. He has also been Composer-in-Residence at the Festival of the Sound in Parry Sound, the Colours of Music Festival in Barrie, Ontario and the Strata New Music Festival in Saskatoon, Saskatchewan. Other highlights include; The Winspear Fanfare composed for the opening of the Francis Winspear Centre for Music, Dreaming of the Masters I given its American premiere by James Campbell and the Boston Pops, Hannaraptor a 1- act opera commissioned by Calgary Opera, the musicals The Seventh Circle and Dead Beats and Dreaming of the Masters III, a trumpet concerto written for Jens Lindemann and given its American premiere by Jens and the Edmonton Symphony at Carnegie Hall in 2012. In 2002 his orchestral work On the Shoulders of Giants took First Prize at the prestigious Winnipeg Symphony Orchestra’s Centara New Music Festival Composers Competition. In 2012 his CD O Music was nominated for two Western Canadian Music Awards and won for Best Classical Composition. Allan has also won composition contests sponsored by Pro Coro Canada and the Alberta Band Association as well as First Place in the Jean Coulthard Competition for Composers and the Lydia Pals Composers Competition. 

Allan holds a diploma in Jazz Studies (trumpet) from Humber College, a Bachelor of Music degree in performaance and a Master of Music degree in composition from the University of Alberta and a PhD in Composition from the University of Edinburgh. His teachers include Violet Archer, Howard Bashaw, Malcolm Forsyth, Nigel Osborne and Peter Nelson. He has taught at the University of Alberta, the University of Edinburgh, Red Deer College and MacEwan University in Edmonton, Alberta, Canada where he was head of composition from 2004-2016, chair from 2012-2016 and since 2017 has been the Dean of the Faculty of Fine Arts and Communications.

https://www.allangilliland.com/
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Canadian Voices: Yôtin (The Wind) - Sherryl Sewepagaham

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Canadian Voices: My Mother’s Body - Stuart Beatch